1.0Impact Summit Nadácia Pontishttps://impactsummit.sk/en/rich600338<blockquote class="wp-embedded-content" data-secret="g72m8fiVg1"><a href="https://impactsummit.sk/en/speaker/mariana-cengel-solcanska/">Mariana čengel Solčanská</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://impactsummit.sk/en/speaker/mariana-cengel-solcanska/embed/#?secret=g72m8fiVg1" width="600" height="338" title="“Mariana čengel Solčanská” — Impact Summit Nadácia Pontis" data-secret="g72m8fiVg1" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://impactsummit.sk/wp-includes/js/wp-embed.min.js </script> Director, screenwriter and writer, known for films including The Kidnapping (2017), The Swine (2020), The Servant (2022) and Štúr (2026). She studied political science, cultural anthropology and film directing. Her work explores the moments that shape our society and identity. In recent years, she has focused increasingly on stories from the past. Behind well-known historical […]